Here's to a New Year of Writing!

There are two kinds of writers in the world. And no, I don't mean fiction writers and nonfiction writers, plotters and pantsers, or literary writers and commercial writers. I mean the writers who make New Year’s Resolutions and those who don't.

I fall in the first camp. With a vengeance. An inveterate list maker and planner, I view the new year as the Super Bowl of Goal Setting.

2017 is no exception. My calendar is already full of sales objectives (for my clients), events and conferences (for agency business), writing deadlines (for my publishers), and more. So many of the hard targets I aim for this year are related to these enterprises; hitting them is not an aspiration, it's an imperative.

But I know that freaking out about having too much to do in too little time will only sabotage any progress I hope to make—and kill the creativity I count on to keep me on track.

My New Year’s Resolutions are the ones critical to my creative process. They're the ones that I've proclaimed loudly and in technicolor in the one place I'm bound to visit more often than I should every day: my refrigerator.

That’s right. Last summer I painted the bottom half of my refrigerator with chalk paint, thinking it would prove an amusement for my grandchildren. But over time the space morphed into my own personal and professional planner.

This morning, in honor of the dawn of 2017, it reads: Breathe. Read. Write.

Breathe, because yoga is the fastest way for me to plug into my subconscious.

Read, because as Stephen King says, “If you don't have time to read, you don't have the time (or the tools) to write.”

Write, because real writers write. End of story.

Okay, so my kids will all tease me unmercifully when they see it, my non-writing friends will think it's weird, and my neighbors may view it as downright subversive, but I don’t care. It works, as least for me.

            So … what's on your refrigerator this year?

Note: If you're having trouble getting started, check out my new book, The Writer's Guide to Beginnings.

Yes, Virginia, the Beginning Does Matter

This morning I got an email from a writer that I found very disheartening. It went something like this:

Dear Paula,

I have written a great novel that I’d like to send to you in the hope of obtaining representation. Now I know that the first chapter doesn’t really work, but the rest of it is very good, and I know that you’ll love it if you read the entire manuscript. Does that really matter? Should I send it to you now or wait until I figure out how to fix the first chapter?

Best,

Aspiring Writer

At the risk of repeating myself: Yes, your story opening DOES matter. Because if the beginning doesn’t work, the rest doesn’t matter. The truth is that few readers—and even fewer agents and editors—will read past a poorly executed first chapter.  That’s why I do so many First Ten Pages Boot Camps and that’s why I’m writing a new book about story openings called BEGINNINGS:  How to Craft Story Openings That Impress Agents, Engage Editors, and Captivate Readers that Writers Digest Books will publish in the fall. Because I know how much the beginning matters—and I want to help as many writers get past that first hurdle in the novel-writing process as I can.

The First Page Sells the Book…

That’s what they say in publishing. So take the time to craft a first page, a first scene, a first chapter that engages readers—and keeps them reading.  Here’s a checklist designed to help you ensure that your first chapter:

•          What actually happens?

Too often the answer to this is, “not much.” Make something compelling happen!

•          Why will the reader care about/relate to the characters?

Readers want to fall in love with the protagonist at first sight.

•          How do you want the reader to feel? What have you done to evoke that feeling?

Art is meant to be an emotional experience, not simply an intellectual one. Make your readers feel something.

•          Have you used all the elements of fiction at your disposal—setting, plot, character, theme, etc.?

So many first pages fail to weave in all these elements—and you need them all to write fully realized scenes.

•          Have you chosen the right voice?

When the voice is right on, readers read on.

•          Does the dialogue ring true?

Bad dialogue kills the reading experience faster than most anything.

•          Are the story questions strong enough to keep the reader turning the pages?

Without story questions, there’s no story—just writing.

•          Is it clear what kind of story you’re telling?

Readers play favorites with genre; they want to know what kind of story they’re reading right away.

•          What makes this story different from others of its ilk?

You need to set your story apart from the brand-name competition in your genre—and the sooner the better.

•          Have you gotten the point of view right?

The misuse of point of view is one of the big reasons I pass on stories, even when everything else works.

•          Is the scene well-written and well-edited?

Professionalism counts.

If your story opening passes this checklist test, then you may be ready to shop your work.  Good luck—and happy querying!

Top Ten Reasons Your Story Isn't Selling

1)      Not enough happens.

2)      There’s nothing unique enough about your premise, plot, or protagonist to set your story apart from what's already out there.

3)      The prose is dense and inaccessible.

4)      Your story is not grounded in setting.

5)      The protagonist is not likable or admirable and readers can’t relate to him/her.

6)      You don’t show, you tell.

7)      The beginning is too slow, the middle is too boring, and the ending is too rushed.

8)      The dialogue doesn’t sound like real people.

9)       The story is not told in a strong voice.

10)   The protagonist does not drive the action and/or change enough over the course of the story.